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MANTEGNA, Andrea
The Adoration of the Shepherds sf
c. 1451-53
Tempera on canvas tranferred from wood, 40 x 55,6 cm
Metropolitan Museum of Art, New York
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MANTEGNA, Andrea
Agony in the Garden dth
c. 1459
Tempera on wood, 63 x 80 cm
National Gallery, London
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MANTEGNA, Andrea
Agony in the Garden (detail) sg
c. 1459
Tempera on wood
National Gallery, London
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MANTEGNA, Andrea
Portrait of a Man ag
c. 1460
Wood
National Gallery of Art, Washington
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MANTEGNA, Andrea
St Sebastian sgy
1457-58
Wood, 68 x 30 cm
Kunsthistorisches Museum, Vienna
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MANTEGNA, Andrea
St Sebastian sg
1456-59
Panel, 255 x 140 cm
Mus??e du Louvre, Paris
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MANTEGNA, Andrea
The Madonna of the Cherubim sg
c. 1485
Panel, 88 x 70 cm
Pinacoteca di Brera, Milan
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MANTEGNA, Andrea
The Lamentation over the Dead Christ st
c. 1490
Tempera on canvas, 68 x 81 cm
Pinacoteca di Brera, Milan
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MANTEGNA, Andrea
Parnassus sg
1497
Canvas, 160 x 192 cm
Mus??e du Louvre, Paris
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MANTEGNA, Andrea
View of the West and North Walls sg
1465-74
Camera degli Sposi, Ducal Palace, Mantua
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MANTEGNA, Andrea
Ceiling Oculus sg
1471-74
Fresco, diameter: 270 cm
Camera degli Sposi, Ducal Palace, Mantua
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MANTEGNA, Andrea
The Court of Mantua (detail) g
1471-74
Fresco
Camera degli Sposi, Ducal Palace, Mantua
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MANTEGNA, Andrea
Suite of Cardinal Francesco (detail) ag
1471-74
Fresco
Camera degli Sposi, Ducal Palace, Mantua
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MANTEGNA, Andrea
The Court of Mantua (detail) ef
1471-74
Fresco
Camera degli Sposi, Ducal Palace, Mantua
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MANTEGNA, Andrea
St George
c. 1460
Tempera on panel, 66 x 32 cm
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MANTEGNA, Andrea
View of the West and North Walls
1465-74
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MANTEGNA, Andrea
Recreation by our Gallery 02
mk79
1497
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MANTEGNA, Andrea
Recreation by our Gallery 01
mk79
About 1459
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MANTEGNA, Andrea
San Sebastiano
mk79
1476-1477,
olio su tela trasportato su tavola
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MANTEGNA, Andrea
Portrait of Cardinal Lodovico Trevisano
mk86
c.14591469
Tempera on wood
44x33cm
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| MANTEGNA, Andrea
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Italian Early Renaissance Painter, ca.1431-1506
Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.
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